With his virtuousic blowing technique, Hariprasad Chaurasia has turned the Bansuri (bamboo) flute into an instrument of beauty. Blending the musical traditions of India with imagination and innovation, Chaurasia has reached beyond classical music to create a sound of his own. Presented with the national award of the Sangeet Natak Academy in 1984, Chaurasia received the Gaurav Puraskar from the state government of Maharashtra, India in 1990, the Padma Bhushan and the Konarak Samman in 1992 and the Yash Bharati Sanman in 1994. In addition to recording as a soloist, Chaurasia has collaborated with such jazz musicians as John McLaughlin and Jan Garbarek.

His compositions have been heard in several Indian films including Silsila, which he co-wrote with Pandit Shiv Kumar Sharma. Although he began his musical studies as a vocalist, Chaurasia switched to the flute after hearing a performance by Pandit Bholanath a year later. Inspired by what he heard, Chaurasia spent the next eight years studying with Bholanath. He later studied with surbahar player Shrinimati Annapurna Devi, the daughter of Ustad Allaudin Khan and the siter of Ali Akbar Khan.

Hariprasad Chaurasia: listen and download Pandit Hariprasad Chaurasia, Pandit Vinod. Raag Durga - Khayal 37:30; All songs from Ragas On The Flute. Listen to Pandit Hariprasad Chaurasia Flute Music - Hariprasad Chaurasia MP3 song. Flute Music - Hariprasad Chaurasia song from the album Sirivennela is released on Jan 1970. The duration of song is 04:07. This song is sung by Pandit Hariprasad Chaurasia.

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In 1957, Chaurasia began playing and composing material for All India Radio in Calcutta. Ten years later, he collaborated with Shivkumar Sharma and Brijbhushan Kabra on a much-celebrated raga suite, 'Call Of The Valley.'

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As actor ’s identifiable baritone narrates a story about Krishna and the bansuri (flute), the camera languorously pans over lush green bamboo stems, alternated with a sepia-toned “flashback', to draw a connection between the lord of the flute and its well-known modern exponent. That’s only the beginning, but throughout the under-60 minute documentary Bansuri Guru, the flute almost never leaves the hands of Pandit. The documentary, produced by Films Division and directed by the flautist’s son Rajeev, is an attempt, by the producers, to document the life of the winner of the Padma Vibhushan, and by the director, to pay tribute to his father. The story, told in a linear fashion, starts with Chaurasia’s initiation into the flute, his early days growing up in Allahabad without a mother, trying to appease his wrestler father who hoped his son would follow in his footsteps, and working as a typist for ₹ 45 a month. He learnt the flute on the sly till he got a job with the All India Radio (AIR) in Cuttack in 1958, and had to break the news to his parent. “My musical journey began in Orissa,' says Chaurasia, who turns 75 this year, in the film.

The journey continues through a move to Mumbai three years later, his tryst with Hindi films, the eternal search for a guru, taking his music global and the establishment of his Vrindaban Gurukul. Though Chaurasia was “shattered' when he was transferred to Mumbai, his career later benefited from the move, as the music director at AIR was. Chaurasia’s tangential career, in films like Jahan Ara, Taj Mahal, Milan, his famous rendition in Hero, collaboration with Sharma and Yash Chopra through Chandni, Lamhe, Darr, etc., continued till the point that he realized he needed to go back to his true calling—just playing the flute. “He gave the flute a new language,' says Sharma in the film, “with a rare control over the instrument.' Chaurasia himself pays rich tribute to Annapurna Devi, who he calls Guru Maa, and his intention to keep her legacy alive at the Gurukul. I did not wish to be her student to learn the flute, he says, but to learn music.